Oriental Small Crossbody Bag Canvas fabric
A bag (also known regionally as a sack) is a common tool in the form of a non-rigid container. The use of bags predates recorded history, with the earliest bags being no more than lengths of animal skin, cotton, or woven plant fibers, folded up at the edges and secured in that shape with strings of the same material.
Despite their simplicity, bags have been fundamental for the development of human civilization, as they allow people to easily collect loose materials such as berries or food grains, and to transport more items than could readily be carried in the hands. The word probably has its origins in the Norse word baggi, from the reconstructed Proto-Indo-European bʰak, but is also comparable to the Welsh baich (load, bundle), and the Greek Τσιαντουλίτσα (Chandulícha, load).
Cheap disposable paper bags and plastic shopping bags are very common in the retail trade as a convenience for shoppers, and are often supplied by the shop for free or for a small fee Customers may also take their own shopping bags to use in shops. Although, paper had been used for purposes of wrapping and padding in ancient China since the 2nd century BC, the first use of paper bags (for preserving the flavor of tea) in China came during the later Tang Dynasty (618–907 AD).
Clutch Bag Handbag
The modern purse, clutch, pouch or handbag came about in England during the Industrial Revolution, in part due to the increase in travel by railway. In 1841 the Doncaster industrialist and confectionery entrepreneur Samuel Parkinson (of butterscotch fame) ordered a set of travelling cases and trunks and insisted on a travelling case or bag for his wife’s particulars after noticing that her purse was too small and made from material that would not withstand the journey. He stipulated that he wanted various handbags for his wife, varying in size for different occasions and asked that they be made from the same leather that was being used for his cases and trunks to distinguish them from the then-familiar carpetbag and other travellers’ cloth bags used by members of the popular classes. H. J. Cave (London) obliged and produced the first modern set of luxury handbags, as we would recognize them today, including a clutch and a tote (named as ‘ladies travelling case’). These are now on display in the Museum of Bags and Purses in Amsterdam. H. J. Cave did continue to sell and advertise the handbags – Clutch Bag , but many critics said that women did not need them and that bags of such size and heavy material would ‘break the backs of ladies.’ H. J. Cave ceased to promote the bags after 1865, concentrating on trunks instead, although they continued to make the odd handbag for royalty, celebrities or to celebrate special occasions, the Queen’s 2012 Diamond Jubilee being the most recent. However, H.J. Cave resumed handbag production in 2010.
Brocade is a class of richly decorative shuttle-woven fabrics, often made in colored silks and with or without gold and silver threads. The name, related to the same root as the word “broccoli“, comes from Italian broccato meaning “embossed cloth”, originally past participle of the verb broccare “to stud, set with nails”, from brocco, “small nail”, from Latin broccus, “projecting, pointed”.
Oriental Brocade is typically woven on a draw loom. It is a supplementary weft technique; that is, the ornamental brocading is produced by a supplementary, non-structural, weft in addition to the standard weft that holds the warp threads together. The purpose of this is to give the appearance that the weave was actually embroidered on.
Ornamental features in brocade are emphasized and wrought as additions to the main fabric, sometimes stiffening it, though more frequently producing on its face the effect of low relief. In some, but not all, brocades, these additions present a distinctive appearance on the back of the material where the supplementary weft or floating threads of the brocaded or broached parts hang in loose groups or are clipped away. When the weft is floating on the back, this is known as a continuous brocade; the supplementary weft runs from selvage to selvage. The yarns are cut away in cutwork and broché. Also, a discontinuous brocade is where the supplementary yarn is only woven in the patterned areas.